If you have ever questioned the reach of modern manufacturing technologies, you only need to keep an eye for every new application it has in other fields. A Rapid prototype company recently managed one of the most significant breakthroughs in the art world. Several works in the Smithsonian have been recreating using rapid prototyping company to show visitors how 3D printing can be used to create reproductions of these pieces. This opens a brand new door to the art world in the creation of new pieces and preserving existing ones.
The excitement brought by this new use of rapid prototyping technology is the confirmation to years of speculation regarding the use of these devices to preserve works of art. The technology can also be used to create certified reproductions that can be sold for profit or academic purposes. It’s also encouraging to recreate works of art that have been destroyed. Such as it happened with many historical pieces in the Middle East for most of the 2000s when ISIS waged war in the region. These reproductions can be handled without having to use the type of resources required by curators.
The Evolution of Art Form Thanks to Rapid Prototyping Technologies
The pieces that were reproduced were a Syrian Funerary Bust and a life-sized Cosmic Buddha statue. Both pieces were scanned using large format 3D scans and printed using custom technology. The printed pieces were later sanded and given touches using epoxy-PMMA, one of the best materials used for polished finishes. Centuries-old pieces can’t possibly be replicated by any other means since traditional casting would damage their structure. Rapid prototyping company can be used to create a digital registry of the piece alongside a brand new reproduction using state of the art materials.
Another museum, The Hermitage in Saint Petersburg in Russia, has offered to continue exploring the reach of this technology by setting full displays of some of their most precious pieces recreated using the services of a rapid prototype company. The administration of the museum has gone one step forward by offering master classes explaining the reach of this technology and how helpful it can be to preserve the historical legacy of the country. The art community, however, is still divided about the topic. Some very vocal opinions state that these new pieces have no soul to them, while others express interest in the reach of these modern takes to explore the imagination of new artists.
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